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"I think ... funny!"

video still "Either Broder," © ARD

"Either Broder"

Henryk M. Broder and Hamed Abdel-Samad on Germany's Safari

Where it is at this five-part series in which the two protagonists in a custom-designed Volvo travel through Germany?

Is there such a thing as an integration Comedy interviews where different social groups are exposed or ridiculed?

Or is it humanistic education, which comes in the guise of entertainment? Or maybe it's just entertainment?

any case, it is entertaining!

This is a two-part approach: First, there are the interviews and on the other, traveling between the interviews.

In the interviews is not much commented on, and - unexpectedly - not provoked. Broder and Abdel-Samad, ask questions and let the respondents speak - and expose himself.

must be said, however, that the selection of the interviewees contributes to that approach. NPD old world "politicians" and also to let people talk backwards-looking New-Germany-Stasi relics just simply aims precisely to their self-exposure.

are really interesting discussions between destinations in the car. The provocative painted vehicle, the interior is more like a taxi in Beirut resembles stresses that there can be no sacred cows on this trip.

"Racism - the fear of the white man against the failure of erection"

course, Broder polemic, as he always does, and some jokes, the laughter is one stuck in the throat, but he makes fun of all democratic - Arabs, Jews, German, all get off their fat! Though some jokes are more like an end in itself, namely to make just a joke.

"If you sign against the war, Mr. Broder? Zoom out "" Yes, but only under my pseudonym (...) Günter Grass, I have to wear my Waffen SS number? "

But the expedition members to accomplish with this unique series? Taboos ? Making sure that it is politically correct to laugh at something over which only yesterday could not be laughed Should we might just get used a bit more to the various manifestations of human life -? without having to find them this good must Go it simply about integration and Broder is a closet humanist with the aim also of serious things to laugh at the ditches slowly fill them that divide us.

"For legal reasons, not the series will be offered as a video in the library"

Also on the website to show there are no serious efforts and statements, exactly what purpose the two protagonists . chase But maybe it is exactly what makes it interesting and the open concept.

Anything specify Broder and Abdel-Samad as to why their travel fun but frivolous. The fool, the artist, the satirists have the right to say things that normal citizens will be resented. Because humor, like the art in its various forms is an exaggeration or a caricature, a cipher, in whose shadow you can venture further.

The reactions to the program will show whether it is necessary - when no one is upset about this show we are well healed!

any case, it is entertaining!

Service

. Either Broder The Germany Safari

ARD - Sunday after TTT

link to homepage ARD

link to homepage Broadcasting

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PKK XI - Picasso exhibition in Zurich

The detailed criticism of the current Picasso exhibition of Zurich kunstlich.com with pictures and the usual service will find here .

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Tip - Aachen Studio House: Collagen of A. Nikopol

The picture shows one of seven awarded in Aachen collagen A. Nikopol , a homage to Max Ernst and its - the degenerate art to fallen victim - great teacher.

' need Majesty Sun' remarked one of the many consultant to the German Emperor in the context of efforts to englis Hen colonies. This appears to be governed by the Köhler interview now want to also connect the political pop star and Defense to Guttenberg .

What does this have to do with art? Simple: The quote is part of a poem of A. Nikopol , who presents his latest works in the near future in Aachen. Worth a visit even far away of the works, as long as it is the wonderful, been converted into art venue for the former Monastery can not see.

advance Here is an excerpt from the press release: Aachener

The artist A. Nikopol played the exhibition space of AHA with dada-style paper collages and sculptures. It is a pleasant, concentrated selection of his recent work.

Nikopol mysterious paper and plastic collages provoke rhyme or reason. There are apparently slight, playful sounding appeals to the power of association of the beholder and diverse (art) histories at the same time.

If you get into dialogue with the Works will be rewarded with intellectual and aesthetic qualities. An exhibition catalog with an essay by Dr. Gerd Mörsch .

more usual in the near future ...

Service:
'taste for out-Hai terem sky swimmers' photographs, sculptures and poetry of A. Nikopol

Opening:
Sunday 14 November, 12 clock
Welcome: Nadya Baasha MA
Introduction: Dr. Gerd Moersch

Duration:
14th November - 20 December 2010

opening times:
Tues - Fri 10-13 Clock
Sat - Sun 12-15 Clock and links by appointment

:
studio house Aachen
A . NipoPol

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Once in a lifetime! PICASSO in the Zurich Kusthaus

One might say: "It was such a show ever and such an exhibition will also never be possible!" From this statement, however, agrees only one part, and that is almost certain that such an exhibition will never again be possible, the effort, but mainly because of the cost - but: it was this issue before. But back then it was just as today a very lucky place that she could, or rather it was just a hard-earned wonder the persistence of certain tough personalities due:

Kunsthaus Zurich: Picasso, 1932 and 2010

Man Ray , Pablo Picasso , 1933 (detail), © Man Ray Trust / 2010 ProLitteris , Zurich

1932 succeeded because of various circumstances, Picasso and, above all, his gallery to move a solo exhibition in Zurich to agree a retrospective. Basically Picasso was an exhibition, but it was not many options. In most European countries no contemporary artists were shown in Germany was the political situation uncertain and the only modern institution in the United States did not accept the "Conditions" agreement. Alfred Barr could not or would expose the integrity of the newly opened MoMA not critical suspicion, by being an exhibition curated by the artist himself and the trade ran out. And so was Switzerland, the art house to sell with the possibility of the show out when and in the economic crisis rather the advertising Sales in the foreground, the perfect place for a retrospective. Living as an artist was also quite unusual.

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About 200 paintings and sculptures were shown 1932nd From early works of the so-called "blue period" to fresh in the exhibition year incurred

.

installation views, 1932, © Kunsthaus Zurich

Impossible, all the works shown in 1932 again today to create a place, but a large part and some important, significant works by Picasso oeuvre succeeded Tobia Bezzola again to Zurich to h oils.

not only the historical Value of the exhibition itself, a milestone in the history of art and individual works of art, but also the educational value of the current exhibition already justifies the effort and costs that the art house and organizers have taken upon themselves. 1932, you guessed it already and now we know what has developed from what is shown or would develop: the so-called "Picasso style".

The "Picasso style"

The exhibition recognizes to the increasingly so designated phases of Picasso (the alternate but actually overlap and repeat), which are rather different form languages. Stark summarized: to recognize a figurative, in the classical paintings exaggerated corporeal expression and you can see with the cubist works, the deconstruction , the splintering, the focus verflächigen the mold. And the third shows the surrealist mode of expression, the stretch warp, melt, the mold. In the works of 1932, such as a portrait of Marie-Therese Walters, sitting on a chair, it is already an impression require, establish to what Picasso in the next few years. He
figurative combines elements of cubism and surrealism used as a catalyst to make this link possible. The figure is not only ready to buy and not destroyed or deconstructed , it is now ready to buy regardless of time and space from different perspectives and to different levels of understanding at the same time, doing something that only Picasso. That is why he is loved by so many while reaping so much misunderstanding. But this ambivalence makes him an eternal modernity.

The yellow belt: Marie-Thérèse

( La ceinture jaune : Marie-Thérèse ), 1932

oil on canvas, 131 x 97 cm

Courtesy Nahmad Collection, Switzerland

The most expensive exhibition of the art house

The value should be in the arts do not talk, especially when, as in the case of Picasso, fantasy totals is that any comparison mocked. On the art market would most probably reach the paintings at prices between 20 and 80 million €. One can appreciate the difficult, but experience and previous auctions suggest this. With over 70 paintings, 3 bronze sculptures and etchings, some can be a total value suspect who went into the billions, these works stood for sale - What now sounds so shamelessly, 1932 was in fact custom , dasKunsthaus sold out of the exhibitions. So you can only guess what astronomical insurance value stood in the way of the exhibition. No museum in the world can lift this amount of money alone. That is, it had several insurance companies together with the art house and the Credit Suisse protect these immense values. Thus it can be assumed that this show is in a different place, or in any other museum would have been possible.

man with a clarinet (L 'homme à la clarinet), 1911/12Öl on canvas, 106 x 69 cmMuseo Thyssen-Bornemisza , Madrid

have tasted it must curator Tobia Bezzola incredible persuasion to snatch all these unique art works of their owners and guardians for the period of the exhibition. Emphasis needs to be in this context, the Musée Picasso in Paris, that apparently is the only museum complete the project on the art house and ignored not only by its absence but above all shines rudeness that goes far beyond the usual arrogance of French museums in terms of loans.

Seated (Woman in shirt) ( Femme assise ( Femme à la chemise )), 1921Öl on canvas, 116 x 73 cm National Gallery Stuttgart, collection Steegmann

This is a " once -in-a- lifetime " exhibition, which everyone (interested in art or not) a the creeps. Anyone who has the ability to somehow come to Zurich should not miss this opportunity - you never know whether these works will ever be seen together.

Service:

Picasso

Kunsthaus Zurich

15th October - 30 January

22, - CHF

a pre-order example, TicketCorner . ch worth

catalog 55 CHF incl facsimile of the Catalogue of 1932 - well done and worthwhile in Prestel Verlag

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commerce must be simple ...

This short commercial break could be realized pride only thanks to the support of C. and H. Kramer. Thanks to the generous Sponsors, and congratulations.

'Life is a great invention '
Kurt Schwitters , about 1927


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More about this not only Dadaist collage and seemingly another variation one finds here.

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real eye-catcher: La Bohème - Historical photography and self-presentation of the artists in the 19th and 20 Century

preliminary only two wonderful teaser for this exciting photography exhibition La Bohème Museum Ludwig in Cologne. The man in the balloon basket is the star of photography in the Paris art scene in the 19 Century - Nadar .

The lady is below, however unknown, but probably not very many men's eyes only one true Sehlust have prepared. It is a daguerreotype .

Two copies of the image of the lovely lady were - similar to today's 3-D glasses - in a specially developed visual system daguerreotypes inserted. And the Museum Ludwig can this particular type of Sehlust 19th Century conditions to experience again. Here

advance only an excerpt from the press release:

"The Bohème is the precursor of the artist's life. it is the preface to the Academy, the hospital or the morgue "

" As the French author Henri Murger the phenomenon characterized in his 1851 book, Scenes de la Vie de Bohème. a transitional stage, which by standard violations in lifestyle provokes and fascinates.

The image of the artist as outsider, in the bourgeois era lives in poverty romantic, cheerful, and was transfigured by Puccini's opera, based on Murger's original, fully popularized.

So the term became synonymous with the bohemian artists of the 19th Century, who was exposed to an anonymous market and forced to sell its services to survive. In the middle of the period of birth was the bohemian legend in support of artistic self-consciousness, the invention of photography.

how much the attitude of the enigmatic musician, writer, painter and photographer is reflected in photographic productions, this exhibition at the Museum Ludwig.

(...)"

Anonymous: The actor Désiré than Jupiter, which has turned into a fly, Paris, around 1865. Carte de visite, albumen paper, Museum Ludwig Cologne

Service:
La Bohème
to 9 January 2011
opening times
Tue-Sun 10 - 18 clock
Admission 10 €

Museum Ludwig
Heinrich-Böll-Platz 50667 Cologne

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extended correction - Roy Lichtenstein until 17 October

Last chance for a true art memory game. The compact, on Roy Lichtenstein show at the Museum Ludwig concentrated tempted to look for the motives and models for his works in the Museum's collection.

In this way, you can then devote the often-forgotten treasures in the collection and maybe even discover his personal favorite. The should then visit regularly, take your time. Slow down just recently again says so much.

meditations on art and coffee

Aprospos decelerate: Quite apart from its CO2 emissions is the trendy coffee to go, so a Pyrrhic victory. Why rush and slurp when you relax the whole Coffee - just off the phone - with the monitoring of street scenes can join?

Kunstpetting porn instead?

But back to art and the importance of contemplation before and with the work. With art, it is similar to the fox in the little prince . You should make themselves familiar with caution. Each additional visit will help to get to know you better. One discovers - not to mention the different lighting conditions and times of day visitors - facets and nuances that you did not know before.

Service:
Lichtenstein. Art as a motif
until 17 October
opening times
Tue-Sun 10 - 18 clock
Admission 10 €

Museum Ludwig
Heinrich-Böll-Platz
50667 Cologne

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Updated: Calls, Calls, Contests

Updated tenders and competitions can be found at kunstlich.com as usual under the heading Apply .

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This short commercial break was made possible thanks to the support of D. Eimer, H. Letsch, J. Menting, P. Schlickum and U. Schmitz, . Thanks to the generous sponsors and congratulations.

'I'm tired of the nonsense that he has been shaped so rare artistic '
wrote the one who had truly suffered a lot and never lost his humor, in this sense, many thanks to Kurt Schwitters .

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unusual encounter: the attack dog in the art of the Middle Ages and the Beautiful dark presence

These unusual for today's eye view shows an armored fighting dog, mastiff-like dog, late 15th Century , Source and ©: A Complete History of Fighting Dogs, Mike Homan, Ring Press Books, Gloucestershire 1999th ISBN 1-58245-128-1, caption: "War armor (Albert du Hamel, 1449-1509) Suit of splinter plates secured with leather straps.."

The subject mirror - reflection - duplication is at the heart of the new edition of the DFG-funded, the study of art online journal kunsttexte.de . All text on the subject there are also free a PDF version.

has in this context Gerd Morsch - like his lecture in Frankfurt at the MMK Slominski exhibition in June - what he called (artificial) cases in the context of art as a reflection of Society and recipient provided.

Here is the teaser kunsttexte.de and later as usual, links to other texts, and the full version of the text:

"based on a fighting dog and two actions of the case as a trapper in the Art world famous German artist Andreas Slominski (born 1959) is shown, the aspect of mirroring and reflection in his work. While his performative actions are presented as reflections on and subtly ironic comment on current social trends, may his traps objects such as the surrealist Alberto Giacometti's sculptures as a mirror for the psyche of the recipient will read "

links.:
- full text in PDF
- kunstexte.de
- Report on the Slominski exhibition at kunstlich.com
- Book Review about to kunstlich.com
- attack dogs - a literature study - (dissertation by Andrew Steinfeldt, Wolfenbüttel) Hanover 2002 PDF

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: On Life and Death in Cologne WRM

advertises with this wonderfully ambiguous motive the WRM for the current Cologne Exhibition 'on life and death'. The picture shows the way, the daughter of the photographer and is called simply 'Bag, November 2007' (C-print on Dibond, 108x87 cm)
© Hendrik Kerstens , Teutloff Photo + Video Collection of Bielefeld, WRM

The Cologne Wallraf-Richartz-Museum (WRM) - which unfortunately only Wallraf calls, so that the donor Johann Heinrich Richartz probably turn in his grave, for he once donated to the museum - has been under the German Impressionist again on a large - all successful in all - survey exhibition focused.

A look at the equally successful catalog of the exhibition, making the desired Raumillusionismus clear, because photography is as forbidden always unfortunately © WRM and transport design Cologne

The unusual exhibition the motives of painting (and of course cheap from the collections of the WRM) and photography (the collection Teutloff) to or juxtaposed, not least because of the successful exhibition design is a must.

Another view in the catalog the exhibition. The desired Raumillusionismus in addition to the lines by the - emphasizes differentiated lighting - for the different plants and their protection is indispensable. © WRM and transport design Cologne

simulated with the help of plain-looking (but expensive realized) perspective drawings on the walls of the exhibition design different room depths - a classical trompe-l'oeil effect . In this manner it is possible the works of art, despite its overwhelming Number (about 120 works) the adequate space to give.

painting and photography as a memory game?

More and more detailed impressions of the exhibition 'on life and death' follow as usual soon. As bait or new German teaser should these lines meet and especially the pictures but for now.

This faithful lady is from the collection of the WRM. It is a work of Bartholomew Bruyn (the elder) , the so-called 'Portrait of a young woman with pink' (1537-39). In the memory game would you probably associate with the daughter of the photographer shown above, right?

here advance a press release:
: (Source

kunstaspekte.de) on life and death - A man in painting and photography
The collection Teutloff visited the Wallraf

Helmut Newton & Ingres, Nan Goldin & François Boucher, Jürgen Klauke & Titian, Paul McCarthy & Wilhelm Leibl and Jack Pierson & Bartholomew Bruyn d. Ä. - So hot five of the fifty unusual dialogues, which stages the Wallraf.

Under the title "life and death. Man in painting and photography meet "outstanding pieces of TEUTLOFF PHOTO + VIDEO COLLECTION on selected works of the Cologne art gallery. The focus of the exhibition are splendor and misery of the human species. The photographs and paintings oscillate between the poles of birth and death, happiness and sorrow, or hope and despair.

Old Image formulas and breaks tradition

The direct comparison between painting and photography shows how the old image, composition, and pathos formulas to the present day . Continue The quotations in the works of Anna and Bernhard Blume and Boris Mikhailov demonstrate this very clearly.

fall the same time, the formal and substantial tradition of fractures in the eye, certain photo-works from the collection Teutloff mark in sometimes shocking ways. You put a little too existential themes such as "body consciousness" or "sexual identity", which depicted in ancient art so explicitly would not have been possible.

Wallraf Overall, the 80 exhibits from the thematically and qualitatively impressive collection of Lutz Teutloff (photo and video art of the late 20th and early 21st century) some 50 rare shown masterpieces of its collection (European paintings from the late Middle Ages to the 19th century) against.

Service:
on life and death
Man in painting and photography - The collection Teutloff visited the Wallraf
to 9 January 2011
Wallraf-Richartz-Museum and Fondation Corboud
Martin Strasse 39
50667 Cologne

opening times:
Tuesday to Friday: 10 - 18 clock
Thu also 10 - 22 clock
Sat - Sun: 11 - 18 clock

Commendable:
Free admission to the permanent collection for:
- Cologne children under 18,
- all school classes (by reservation only and teachers)
- cologne pass-holders
- birthday children Cologne resident ;-)
- all on 1 Cologne These

preliminary review by Michael Kohler in Stadtrevue

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PKK - Join in art criticism to the X: WHITE BOUNCY CASTLE, Deichtorhallen

This time it is actually a PK - a poster criticism Thursday of the month (except holidays)

Links! Great idea - thanks to Ulrike Bock:

Poster Exhibition "WHITE CASTLE BOUNCY", © Alois Aurelle, Queens design and Deichtorhallen, Hamburg

back of poster the exhibition "WHITE CASTLE BOUNCY" criticism: Ulrike Bock

Service:

13:08 to 12:09
Deichtorhallen
Deichtorstraße 1-2
20095