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video still "Either Broder," © ARD

"Either Broder"

Henryk M. Broder and Hamed Abdel-Samad on Germany's Safari

Where it is at this five-part series in which the two protagonists in a custom-designed Volvo travel through Germany?

Is there such a thing as an integration Comedy interviews where different social groups are exposed or ridiculed?

Or is it humanistic education, which comes in the guise of entertainment? Or maybe it's just entertainment?

any case, it is entertaining!

This is a two-part approach: First, there are the interviews and on the other, traveling between the interviews.

In the interviews is not much commented on, and - unexpectedly - not provoked. Broder and Abdel-Samad, ask questions and let the respondents speak - and expose himself.

must be said, however, that the selection of the interviewees contributes to that approach. NPD old world "politicians" and also to let people talk backwards-looking New-Germany-Stasi relics just simply aims precisely to their self-exposure.

are really interesting discussions between destinations in the car. The provocative painted vehicle, the interior is more like a taxi in Beirut resembles stresses that there can be no sacred cows on this trip.

"Racism - the fear of the white man against the failure of erection"

course, Broder polemic, as he always does, and some jokes, the laughter is one stuck in the throat, but he makes fun of all democratic - Arabs, Jews, German, all get off their fat! Though some jokes are more like an end in itself, namely to make just a joke.

"If you sign against the war, Mr. Broder? Zoom out "" Yes, but only under my pseudonym (...) Günter Grass, I have to wear my Waffen SS number? "

But the expedition members to accomplish with this unique series? Taboos ? Making sure that it is politically correct to laugh at something over which only yesterday could not be laughed Should we might just get used a bit more to the various manifestations of human life -? without having to find them this good must Go it simply about integration and Broder is a closet humanist with the aim also of serious things to laugh at the ditches slowly fill them that divide us.

"For legal reasons, not the series will be offered as a video in the library"

Also on the website to show there are no serious efforts and statements, exactly what purpose the two protagonists . chase But maybe it is exactly what makes it interesting and the open concept.

Anything specify Broder and Abdel-Samad as to why their travel fun but frivolous. The fool, the artist, the satirists have the right to say things that normal citizens will be resented. Because humor, like the art in its various forms is an exaggeration or a caricature, a cipher, in whose shadow you can venture further.

The reactions to the program will show whether it is necessary - when no one is upset about this show we are well healed!

any case, it is entertaining!

Service

. Either Broder The Germany Safari

ARD - Sunday after TTT

link to homepage ARD

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PKK XI - Picasso exhibition in Zurich

The detailed criticism of the current Picasso exhibition of Zurich kunstlich.com with pictures and the usual service will find here .

Black And Latin Rappers

Tip - Aachen Studio House: Collagen of A. Nikopol

The picture shows one of seven awarded in Aachen collagen A. Nikopol , a homage to Max Ernst and its - the degenerate art to fallen victim - great teacher.

' need Majesty Sun' remarked one of the many consultant to the German Emperor in the context of efforts to englis Hen colonies. This appears to be governed by the Köhler interview now want to also connect the political pop star and Defense to Guttenberg .

What does this have to do with art? Simple: The quote is part of a poem of A. Nikopol , who presents his latest works in the near future in Aachen. Worth a visit even far away of the works, as long as it is the wonderful, been converted into art venue for the former Monastery can not see.

advance Here is an excerpt from the press release: Aachener

The artist A. Nikopol played the exhibition space of AHA with dada-style paper collages and sculptures. It is a pleasant, concentrated selection of his recent work.

Nikopol mysterious paper and plastic collages provoke rhyme or reason. There are apparently slight, playful sounding appeals to the power of association of the beholder and diverse (art) histories at the same time.

If you get into dialogue with the Works will be rewarded with intellectual and aesthetic qualities. An exhibition catalog with an essay by Dr. Gerd Mörsch .

more usual in the near future ...

Service:
'taste for out-Hai terem sky swimmers' photographs, sculptures and poetry of A. Nikopol

Opening:
Sunday 14 November, 12 clock
Welcome: Nadya Baasha MA
Introduction: Dr. Gerd Moersch

Duration:
14th November - 20 December 2010

opening times:
Tues - Fri 10-13 Clock
Sat - Sun 12-15 Clock and links by appointment

:
studio house Aachen
A . NipoPol

How To License Homeade Product

response to KT Guttenberg

Victoria Paris Online

Once in a lifetime! PICASSO in the Zurich Kusthaus

One might say: "It was such a show ever and such an exhibition will also never be possible!" From this statement, however, agrees only one part, and that is almost certain that such an exhibition will never again be possible, the effort, but mainly because of the cost - but: it was this issue before. But back then it was just as today a very lucky place that she could, or rather it was just a hard-earned wonder the persistence of certain tough personalities due:

Kunsthaus Zurich: Picasso, 1932 and 2010

Man Ray , Pablo Picasso , 1933 (detail), © Man Ray Trust / 2010 ProLitteris , Zurich

1932 succeeded because of various circumstances, Picasso and, above all, his gallery to move a solo exhibition in Zurich to agree a retrospective. Basically Picasso was an exhibition, but it was not many options. In most European countries no contemporary artists were shown in Germany was the political situation uncertain and the only modern institution in the United States did not accept the "Conditions" agreement. Alfred Barr could not or would expose the integrity of the newly opened MoMA not critical suspicion, by being an exhibition curated by the artist himself and the trade ran out. And so was Switzerland, the art house to sell with the possibility of the show out when and in the economic crisis rather the advertising Sales in the foreground, the perfect place for a retrospective. Living as an artist was also quite unusual.

two-century exhibitions

About 200 paintings and sculptures were shown 1932nd From early works of the so-called "blue period" to fresh in the exhibition year incurred

.

installation views, 1932, © Kunsthaus Zurich

Impossible, all the works shown in 1932 again today to create a place, but a large part and some important, significant works by Picasso oeuvre succeeded Tobia Bezzola again to Zurich to h oils.

not only the historical Value of the exhibition itself, a milestone in the history of art and individual works of art, but also the educational value of the current exhibition already justifies the effort and costs that the art house and organizers have taken upon themselves. 1932, you guessed it already and now we know what has developed from what is shown or would develop: the so-called "Picasso style".

The "Picasso style"

The exhibition recognizes to the increasingly so designated phases of Picasso (the alternate but actually overlap and repeat), which are rather different form languages. Stark summarized: to recognize a figurative, in the classical paintings exaggerated corporeal expression and you can see with the cubist works, the deconstruction , the splintering, the focus verflächigen the mold. And the third shows the surrealist mode of expression, the stretch warp, melt, the mold. In the works of 1932, such as a portrait of Marie-Therese Walters, sitting on a chair, it is already an impression require, establish to what Picasso in the next few years. He
figurative combines elements of cubism and surrealism used as a catalyst to make this link possible. The figure is not only ready to buy and not destroyed or deconstructed , it is now ready to buy regardless of time and space from different perspectives and to different levels of understanding at the same time, doing something that only Picasso. That is why he is loved by so many while reaping so much misunderstanding. But this ambivalence makes him an eternal modernity.

The yellow belt: Marie-Thérèse

( La ceinture jaune : Marie-Thérèse ), 1932

oil on canvas, 131 x 97 cm

Courtesy Nahmad Collection, Switzerland

The most expensive exhibition of the art house

The value should be in the arts do not talk, especially when, as in the case of Picasso, fantasy totals is that any comparison mocked. On the art market would most probably reach the paintings at prices between 20 and 80 million €. One can appreciate the difficult, but experience and previous auctions suggest this. With over 70 paintings, 3 bronze sculptures and etchings, some can be a total value suspect who went into the billions, these works stood for sale - What now sounds so shamelessly, 1932 was in fact custom , dasKunsthaus sold out of the exhibitions. So you can only guess what astronomical insurance value stood in the way of the exhibition. No museum in the world can lift this amount of money alone. That is, it had several insurance companies together with the art house and the Credit Suisse protect these immense values. Thus it can be assumed that this show is in a different place, or in any other museum would have been possible.

man with a clarinet (L 'homme à la clarinet), 1911/12Öl on canvas, 106 x 69 cmMuseo Thyssen-Bornemisza , Madrid

have tasted it must curator Tobia Bezzola incredible persuasion to snatch all these unique art works of their owners and guardians for the period of the exhibition. Emphasis needs to be in this context, the Musée Picasso in Paris, that apparently is the only museum complete the project on the art house and ignored not only by its absence but above all shines rudeness that goes far beyond the usual arrogance of French museums in terms of loans.

Seated (Woman in shirt) ( Femme assise ( Femme à la chemise )), 1921Öl on canvas, 116 x 73 cm National Gallery Stuttgart, collection Steegmann

This is a " once -in-a- lifetime " exhibition, which everyone (interested in art or not) a the creeps. Anyone who has the ability to somehow come to Zurich should not miss this opportunity - you never know whether these works will ever be seen together.

Service:

Picasso

Kunsthaus Zurich

15th October - 30 January

22, - CHF

a pre-order example, TicketCorner . ch worth

catalog 55 CHF incl facsimile of the Catalogue of 1932 - well done and worthwhile in Prestel Verlag